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 This article appeared in the Spring 1997 edition of Short Words, the newsletter of Tim Albert Training. It was written by Tim Albert.

Newsletters: seven questions editors should ask


Millions of newsletters come to us each year. We all have our own reasons for keeping some and throwing others away - and they usually depend on our answers to the following seven questions.

  • Why have they sent this to me? If readers cannot immediately understand what the publication is about, they will turn off. This means having a clear 'mission statement' printed prominently on the front page, eg: 'A monthly information sheet for those who buy left-handed tea cups'.
  • What will I get out of it? Editors have to make sure that there is something in it for the readers. Write the stories in such a way that they will become interested.
  • Are they talking to me in my language? Use the language of readers, not of the organisation which is paying for the newsletter. Replace: 'A relocation has been accepted as the most viable future option for the food and beverage facility' with 'The canteen is moving'.
  • Is it just blatant propaganda? Keep to the facts and avoid value-laden (and vague) words like 'wonderful' and 'distinguished'. Under no circumstances give in to the pressure to make sure Everyone Important like the Doctors and Directors (but not patients and shareholders) have Pompous Initial Capitals.
  • Have they bothered to organise the information for me? Readers expect the publications they enjoy to have the same pattern edition after edition, with distinct articles (news, features, humour) in distinct and clearly signposted sections. Each page should also be clearly laid out.
  • Can I read it easily? Is they type too small for those of a certain age? Are the lines too long? Has a designer decided to put text on a background so that it is almost impossible to read?
  • What do I feel about the editor? The design you have chosen will prompt an emotional reaction in your readers. Avoid too many fonts and stories and headlines that don't quite fit. Keep the pages simple and elegant.



How do you know when you are doing well?

  • You do a readership survey that shows that a fair proportion of people admits to reading - and liking - what you have published.
  • Someone in authority wants to muscle in on the act. This is flattering but dangerous.
  • People keep sending you boring articles that you have to turn down.
  • You put in a notice about your lost pencil case, and it is returned within minutes of your newsletter being published.
  • Readers complain. This is the highest compliment of all; you have been noticed.

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